Sheet Music Giant is a site for those who wants to access popular sheet music easily,
letting them download the sheet music for free for trial purposes.
It's completely free to download and try the listed sheet music, but you have to delete the files after 24 hours of trial.
Don't forget, if you like the piece of music you have just learned playing,
treat the artist with respect, and go buy the original sheet music.
Cello Sheet Music
"Bach gave us God's Word. Mozart gave us God's laughter. Beethoven gave us God's fire. God gave us Music that we might pray without words." quote from outside an old opera house
Tamás Beischer–Matyó
Tamás Beischer-Matyó. BMT. compositions concerts biography contact magyar. compositions. mixed choirs · female choirs · male choirs · children's choirs
Brahms
Johannes Brahms (May 7, 1833 â April 3, 1897) was a German composer of the Romantic period. He was born in Hamburg and in his later years he settled in Vienna, Austria.
Brahms maintained a Classical sense of form and order in his works â in contrast to the opulence of the music of many of his contemporaries. Thus many admirers (though not necessarily Brahms himself) saw him as the champion of traditional forms and "pure music," as opposed to the New German embrace of program music.
Brahms venerated Beethoven: in the composer's home, a marble bust of Beethoven looked down on the spot where he composed, and some passages in his works are reminiscent of Beethoven's style. The main theme of the finale of Brahms's First Symphony is reminiscent of the main theme of the finale of Beethoven's Ninth, and when this resemblance was pointed out to Brahms he replied that any ass â jeder Esel â could see that.
Ein deutsches Requiem was partially inspired by his mother's death in 1865, but also incorporates material from a Symphony he started in 1854, but abandoned following Schumann's suicide attempt. He once wrote that the Requiem "belonged to Schumann". The first movement of this abandoned Symphony was re-worked as the first movement of the First Piano Concerto.
Brahms also loved the Classical composers Mozart and Haydn. He collected first editions and autographs of their works, and edited performing editions. He also studied the music of pre-classical composers, including Giovanni Gabrieli, Johann Adolph Hasse, Heinrich Schütz and especially Johann Sebastian Bach. His friends included leading musicologists, and with Friedrich Chrysander he edited an edition of the works of François Couperin. He looked to older music for inspiration in the arts of strict counterpoint; the themes of some of his works are modelled on Baroque sources, such as Bach's The Art of Fugue in the fugal finale of Cello Sonata No. 1, or the same composer's Cantata No. 150 in the passacaglia theme of the Fourth Symphony's finale.
Brahms maintained a Classical sense of form and order in his works â in contrast to the opulence of the music of many of his contemporaries. Thus many admirers (though not necessarily Brahms himself) saw him as the champion of traditional forms and "pure music," as opposed to the New German embrace of program music.
Brahms venerated Beethoven: in the composer's home, a marble bust of Beethoven looked down on the spot where he composed, and some passages in his works are reminiscent of Beethoven's style. The main theme of the finale of Brahms's First Symphony is reminiscent of the main theme of the finale of Beethoven's Ninth, and when this resemblance was pointed out to Brahms he replied that any ass â jeder Esel â could see that.
Ein deutsches Requiem was partially inspired by his mother's death in 1865, but also incorporates material from a Symphony he started in 1854, but abandoned following Schumann's suicide attempt. He once wrote that the Requiem "belonged to Schumann". The first movement of this abandoned Symphony was re-worked as the first movement of the First Piano Concerto.
Brahms also loved the Classical composers Mozart and Haydn. He collected first editions and autographs of their works, and edited performing editions. He also studied the music of pre-classical composers, including Giovanni Gabrieli, Johann Adolph Hasse, Heinrich Schütz and especially Johann Sebastian Bach. His friends included leading musicologists, and with Friedrich Chrysander he edited an edition of the works of François Couperin. He looked to older music for inspiration in the arts of strict counterpoint; the themes of some of his works are modelled on Baroque sources, such as Bach's The Art of Fugue in the fugal finale of Cello Sonata No. 1, or the same composer's Cantata No. 150 in the passacaglia theme of the Fourth Symphony's finale.
Liana Alexandra
Liana Alexandra (born Liana Moraru; 27 May 1947 – 10 January 2011) was a Romanian composer, pianist and music educatorAlexandra was born in Bucharest, Romania. From 1965 to 1971, she studied at the Ciprian Porumbescu Conservatory (now the National University of Music Bucharest) under Tudor Ciortea and Tiberiu Olah and took composition courses in 1974, 1978, 1980 and 1984 in Darmstadt, Germany. She had a doctorate in musicology and taught composition, orchestration, and music analysis at the Conservatory from 1971 until her death in 2011. A prolific composer in the neoromantic style, Alexandra had over 100 of her works performed and published in Romania. According to musicologist Octavian Cosma, she was "in her element with orchestral and chamber music, employing repetitive and evolving techniques, with melodic lines which suggest lyricism and meditation" and an instrumentation that used "a palette of delicate, pastel colours." Alexandra married the Romanian cellist and composer Şerban Nichifor in 1978. They performed together as Duo Intermedia from 1990 and were co-directors of the Nuova Musica Consonante - Living Music Foundation Festival.
Beethoven
Ludwig van Beethoven (16 December 1770 - 26 March 1827) was a German composer and pianist. He was a crucial figure in the transitional period between the Classical and Romantic eras in Western classical music, and remains one of the most respected and influential composers of all time.
Born in Bonn, then in the Electorate of Cologne (now in modern-day Germany), he moved to Vienna in his early twenties and settled there, studying with Joseph Haydn and quickly gaining a reputation as a virtuoso pianist. Beethoven's hearing gradually deteriorated beginning in his twenties, yet he continued to compose masterpieces, and to conduct and perform, even after he was completely deaf.
Born in Bonn, then in the Electorate of Cologne (now in modern-day Germany), he moved to Vienna in his early twenties and settled there, studying with Joseph Haydn and quickly gaining a reputation as a virtuoso pianist. Beethoven's hearing gradually deteriorated beginning in his twenties, yet he continued to compose masterpieces, and to conduct and perform, even after he was completely deaf.
Ravel
Joseph-Maurice Ravel (March 7, 1875 – December 28, 1937) was a French composer of Impressionist music known especially for his melodies, orchestral and instrumental textures and effects. Much of his piano music, chamber music, vocal music and orchestral music has entered the standard concert repertoire.
Ravel's piano compositions, such as Jeux d'eau, Miroirs and Gaspard de la Nuit, demand considerable virtuosity from the performer, and his orchestral music, including Daphnis et Chloé and his arrangement of Modest Mussorgsky's Pictures at an Exhibition, uses a variety of sound and instrumentation very effectively.
Ravel is perhaps known best for his orchestral work, Boléro (1928), which he considered trivial and once described as "a piece for orchestra without music."
According to SACEM, Ravel's estate earns more royalties than that of any other French musician. According to international copyright law, Ravel's works are public domain since January 1, 2008 in most countries. In France, due to anomalous copyright law extensions to account for the two world wars, they will not enter the public domain until 2015.
Ravel's piano compositions, such as Jeux d'eau, Miroirs and Gaspard de la Nuit, demand considerable virtuosity from the performer, and his orchestral music, including Daphnis et Chloé and his arrangement of Modest Mussorgsky's Pictures at an Exhibition, uses a variety of sound and instrumentation very effectively.
Ravel is perhaps known best for his orchestral work, Boléro (1928), which he considered trivial and once described as "a piece for orchestra without music."
According to SACEM, Ravel's estate earns more royalties than that of any other French musician. According to international copyright law, Ravel's works are public domain since January 1, 2008 in most countries. In France, due to anomalous copyright law extensions to account for the two world wars, they will not enter the public domain until 2015.
Mozart
Wolfgang Amadeus Mozart, full name Johann Chrysostom Wolfgang Amadeus Mozart (27 January 1756 â 5 December 1791) was a prolific and influential composer of the Classical era. His over 600 compositions include works widely acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music. Mozart is among the most enduringly popular of classical composers, and many of his works are part of the standard concert repertoire.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
The Simpsons
The Simpsons is an American animated sitcom which was created by Matt Groening for the Fox Broadcasting Company. It is a satirical parody of the middle class American lifestyle epitomized by its titular family, which consists of Homer, Marge, Bart, Lisa, and Maggie. The show is set in the fictional town of Springfield, and it lampoons many aspects of the human condition, as well as American culture, society as a whole, and television itself.
The family was conceived by Groening shortly before a pitch for a series of animated shorts with the producer James L. Brooks. Groening created a dysfunctional family and named the characters after members of his own family, substituting Bart for his own name. The shorts became a part of The Tracey Ullman Show on April 19, 1987. After a three-season run, the sketch was developed into a half-hour prime time show and was an early hit for Fox, becoming the first Fox series to land in the Top 30 ratings in a season (1992-1993).
Since its debut on December 17, 1989, the show has broadcast 420 episodes and the twentieth season will commence airing in on September 28, 2008. The Simpsons Movie, a feature-length film, was released in theaters worldwide on July 26 and July 27, 2007, and has grossed approximately US$526.2 million worldwide to date.
The Simpsons has won dozens of awards since it debuted as a series, including 24 Emmy Awards, 26 Annie Awards and a Peabody Award. Time magazine's December 31, 1999 issue named it the 20th century's best television series, and on January 14, 2000 it was awarded a star on the Hollywood Walk of Fame. The Simpsons is the longest-running American sitcom and the longest-running American animated program. Homer's annoyed grunt "D'oh!" has been adopted into the English lexicon, while The Simpsons has influenced many adult-oriented animated sitcoms.
The series' distinctive theme song was composed by musician Danny Elfman in 1989, after Groening approached him requesting a retro style piece. This piece, which took two days to create, has been noted by Elfman as the most popular of his career.
The family was conceived by Groening shortly before a pitch for a series of animated shorts with the producer James L. Brooks. Groening created a dysfunctional family and named the characters after members of his own family, substituting Bart for his own name. The shorts became a part of The Tracey Ullman Show on April 19, 1987. After a three-season run, the sketch was developed into a half-hour prime time show and was an early hit for Fox, becoming the first Fox series to land in the Top 30 ratings in a season (1992-1993).
Since its debut on December 17, 1989, the show has broadcast 420 episodes and the twentieth season will commence airing in on September 28, 2008. The Simpsons Movie, a feature-length film, was released in theaters worldwide on July 26 and July 27, 2007, and has grossed approximately US$526.2 million worldwide to date.
The Simpsons has won dozens of awards since it debuted as a series, including 24 Emmy Awards, 26 Annie Awards and a Peabody Award. Time magazine's December 31, 1999 issue named it the 20th century's best television series, and on January 14, 2000 it was awarded a star on the Hollywood Walk of Fame. The Simpsons is the longest-running American sitcom and the longest-running American animated program. Homer's annoyed grunt "D'oh!" has been adopted into the English lexicon, while The Simpsons has influenced many adult-oriented animated sitcoms.
The series' distinctive theme song was composed by musician Danny Elfman in 1989, after Groening approached him requesting a retro style piece. This piece, which took two days to create, has been noted by Elfman as the most popular of his career.
Alfred Grunfeld
Alfred Grünfeld (4 July 1852 in Prague – 4 January 1924 in Vienna) was an Austrian pianist and composer.Alfred Grünfeld was born as the second of eight children to Jewish leather merchant Moritz Grünfeld (born 1817 Kolín nad Labem) and his wife Regina, nee Pick (born 1826 Osek), in Prague – New Town. Moritz Grünfeld was a leather merchant, and Grünfeld grew up in a middle-class, musical Jewish family. His siblings included: the cellist Heinrich Grünfeld; Ludwig Grünfeld, who worked for Deutsche Grammophon, and Siegmund Grünfeld, répétiteur at the Vienna Hofoper. The family lived at Zeltnergasse 38.
Henry Purcell
Henry Purcell (pronounced /ˈpɜrsəl/; 10 September 1659 (?) – 21 November 1695), was an English organist and Baroque composer of secular and sacred music. Although Purcell incorporated Italian and French stylistic elements into his compositions, his legacy was a uniquely English form of Baroque music.
Tchaikovsky
Pyotr Il'yich Tchaikovsky (May 7 1840 â November 6 1893) was a Russian composer of the Romantic era. While not part of the nationalistic music group known as "The Five", Tchaikovsky wrote music which, in the opinion of Harold Schonberg, was distinctly Russian: plangent, introspective, with modally-inflected melody and harmony.
Aesthetically, Tchaikovsky remained open to all aspects of Saint Petersburg musical life. He was impressed by Serov and Balakirev as well as the classical values upheld by the conservatory. Both the progressive and conservative camps in Russian music at the time attempted to win him over. Tchaikovsky charted his compositional course between these two factions, retaining his individuality as a composer as well as his Russian identity. In this he was influenced by the ideals of his teacher Nikolai Rubinstein and Nikolai's brother Anton.
Tchaikovsky's musical cosmopolitanism led him to be favored by many Russian music-lovers over the "Russian" harmonies and styles of Mussorgsky, Borodin and Rimsky-Korsakov.
Nonetheless he frequently adapted Russian traditional melodies and dance forms in his music, which enhanced his success in his home country. The success in St. Petersburg at the premiere of his Third Orchestral Suite may have been due in large part to his concluding the work with a polonaise. He also used a polonaise for the final movement of his Third Symphony.
Aesthetically, Tchaikovsky remained open to all aspects of Saint Petersburg musical life. He was impressed by Serov and Balakirev as well as the classical values upheld by the conservatory. Both the progressive and conservative camps in Russian music at the time attempted to win him over. Tchaikovsky charted his compositional course between these two factions, retaining his individuality as a composer as well as his Russian identity. In this he was influenced by the ideals of his teacher Nikolai Rubinstein and Nikolai's brother Anton.
Tchaikovsky's musical cosmopolitanism led him to be favored by many Russian music-lovers over the "Russian" harmonies and styles of Mussorgsky, Borodin and Rimsky-Korsakov.
Nonetheless he frequently adapted Russian traditional melodies and dance forms in his music, which enhanced his success in his home country. The success in St. Petersburg at the premiere of his Third Orchestral Suite may have been due in large part to his concluding the work with a polonaise. He also used a polonaise for the final movement of his Third Symphony.
Carter Brey
Carter Brey is an American cello virtuoso. He had a prolific solo career from 1981 until 1996 when he became the principal cellist of the New York Philharmonic, a position he still holds today.
Heinrich Ignaz Franz Biber
Heinrich Ignaz Franz Biber (12 August 1644 (baptised) – 3 May 1704) was a Bohemian-Austrian composer and violinist. Born in the small Bohemian town of Wartenberg (now Stráž pod Ralskem), Biber worked in Graz and Kremsier (now Kroměříž) before he illegally left his Kremsier employer, Prince-Bishop Carl Liechtenstein-Kastelkorn, and settled in Salzburg. He remained there for the rest of his life, publishing much of his music but apparently seldom, if ever, giving concert tours.
Julius Röntgen
Julius Engelbert Röntgen (9 May 1855 – 13 September 1932) was a German-Dutch composer of classical music. He was a friend of Liszt, Brahms and Grieg.Julius Röntgen was born in Leipzig, Germany, to a family of musicians. His father, the Dutch born Engelbert Röntgen, was first violinist in the Gewandhaus orchestra in Leipzig; his mother, Pauline Klengel, was a pianist, an aunt of the renowned cellist Julius Klengel, born in 1859.
Andrew Lloyd Webber
Andrew Lloyd Webber, Baron Lloyd-Webber (born 22 March 1948) is an English composer of musical theatre, the elder son of organist William Lloyd Webber and brother of the cellist Julian Lloyd Webber. Lloyd Webber started composing at the age of six, and published his first piece at the age of nine.
Lloyd Webber has achieved great popular success, with several musicals that have run for more than a decade both in the West End and on Broadway. He has composed 13 musicals, a song cycle, a set of variations, two film scores, and a Latin Requiem Mass. He has also gained a number of honours, including a knighthood in 1992, followed by a peerage from the British Government for services to Music, seven Tony Awards (and 40 nominations), three Grammy Awards (with an additional 60 nominations), an Academy Award (two other nominations), seven Olivier Awards (with 100 nominations), a Golden Globe, and the Kennedy Center Honors in 2006. Several of his songs, notably "The Music of the Night" from The Phantom of the Opera, "I Don't Know How to Love Him" from Jesus Christ Superstar, "Don't Cry for Me, Argentina" from Evita, "Any Dream Will Do" from Joseph and the Amazing Technicolor Dreamcoat and "Memory" from Cats have been widely recorded and were hits outside of their parent musicals. His company, the Really Useful Group, is one of the largest theatre operators in London.
Producers in several parts of the UK have staged productions, including national tours, of Lloyd Webber's musicals under licence from the Really Useful Group. According to britishhitsongwriters.com, he is the one hundredth most successful songwriter in U.K. singles chart history, based on weeks that his compositions have spent on the chart.
Lloyd Webber has achieved great popular success, with several musicals that have run for more than a decade both in the West End and on Broadway. He has composed 13 musicals, a song cycle, a set of variations, two film scores, and a Latin Requiem Mass. He has also gained a number of honours, including a knighthood in 1992, followed by a peerage from the British Government for services to Music, seven Tony Awards (and 40 nominations), three Grammy Awards (with an additional 60 nominations), an Academy Award (two other nominations), seven Olivier Awards (with 100 nominations), a Golden Globe, and the Kennedy Center Honors in 2006. Several of his songs, notably "The Music of the Night" from The Phantom of the Opera, "I Don't Know How to Love Him" from Jesus Christ Superstar, "Don't Cry for Me, Argentina" from Evita, "Any Dream Will Do" from Joseph and the Amazing Technicolor Dreamcoat and "Memory" from Cats have been widely recorded and were hits outside of their parent musicals. His company, the Really Useful Group, is one of the largest theatre operators in London.
Producers in several parts of the UK have staged productions, including national tours, of Lloyd Webber's musicals under licence from the Really Useful Group. According to britishhitsongwriters.com, he is the one hundredth most successful songwriter in U.K. singles chart history, based on weeks that his compositions have spent on the chart.
Albinoni
Tomaso Giovanni Albinoni (8 June 1671, Venice, Republic of Venice – 17 January 1751, Venice, Republic of Venice) was a Venetian Baroque composer. While famous in his day as an opera composer, he is mainly remembered today for his instrumental music, some of which is regularly recorded.
Otakar Ševčík
Otakar Ševčík (22 March 1852 – 18 January 1934) was a Czech violinist and influential teacher. He was known as a soloist and an ensemble player, including his occasional performances with Eugène Ysaÿe.Ševčík was born in Horažďovice, Bohemia, Austrian Empire. His father was the local village schoolmaster. Although he received his first music lessons from his father, he studied under Antonín Bennewitz at the Prague Conservatory (1866–1870) during which period a disease caused him to have his left eye enucleated. He was also taught by Hans Sitt. He began his career in 1870 as concertmaster of the Mozarteum concerts in Salzburg, where he also taught.[citation
Koen Dejonghe
Koen Dejonghe has held a position at the conservatory in Antwerp since 1986, teaching practical harmony and improvisation. He currently also gives classes in accompaniment, instrumental ensemble performance and harmony and counterpoint at the music academies of Sint-Niklaas and Antwerp.
Andrea Vezzoli
Andrea Vezzoli discovered his interest in music at the age of 12, when he began studying piano with Mara Buzzoni. After studying for more than two years, he joined the band at Corte Franca (BS) studying clarinet. He is still the first clarinet under the direction of Hercules and Giampietro Lanfranchini Fanchini. He composed early works ranging from folk to jazz (inspired by the landscapes of Franciacorta), and elicited some interest by major composers. In 2005, the composer met pianist Andrea Rosa, with whom he began studying composition at the Academy of Pasini Corte Franca (BS).
Bach
Johann Sebastian Bach (31 March 1685 – 28 July 1750) was a German composer and organist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity. Although he introduced no new forms, he enriched the prevailing German style with a robust contrapuntal technique, an unrivalled control of harmonic and motivic organisation in composition for diverse musical forces, and the adaptation of rhythms and textures from abroad, particularly Italy and France.
Revered for their intellectual depth and technical and artistic beauty, Bach's works include the Brandenburg concertos; the Goldberg Variations; the English Suites, French Suites, Partitas, and Well-Tempered Clavier; the Mass in B Minor; the St. Matthew Passion; the St. John Passion; The Musical Offering; The Art of Fugue; the Sonatas and Partitas for violin solo; the Cello Suites; more than 200 surviving cantatas; and a similar number of organ works, including the celebrated Toccata and Fugue in D Minor.
While Bach's fame as an organist was great during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition.
Revered for their intellectual depth and technical and artistic beauty, Bach's works include the Brandenburg concertos; the Goldberg Variations; the English Suites, French Suites, Partitas, and Well-Tempered Clavier; the Mass in B Minor; the St. Matthew Passion; the St. John Passion; The Musical Offering; The Art of Fugue; the Sonatas and Partitas for violin solo; the Cello Suites; more than 200 surviving cantatas; and a similar number of organ works, including the celebrated Toccata and Fugue in D Minor.
While Bach's fame as an organist was great during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition.
Martin O'Donnell
Martin "Marty" O'Donnell (born May 1, 1955) is an award-winning American composer known for his work on video game developer Bungie's series, such as Myth, Oni, and most predominately Halo. O'Donnell collaborates with his musical colleague Michael Salvatori for many of the scores; he has also directed voice talent and sound design for the Halo trilogy, and is currently Bungie's Audio Lead.
O'Donnell began his music career writing television and radio jingles as well as scoring for radio and film. O'Donnell moved to composing video game music when his company, TotalAudio, did the sound design for the 1997 title Riven. After producing the music for Myth II, Bungie contracted O'Donnell to work on their other projects, including Oni and the code-named project that would become Halo: Combat Evolved. O'Donnell ended up joining the Bungie staff only ten days before the studio was bought by Microsoft, and has been the audio director for all Bungie projects since.
O'Donnell's score to the Halo trilogy has been called iconic, and the commercial soundtrack release of the music to Halo 2 became the best-selling video game soundtrack of all time. His most recently released work is the music for Halo: Reach, released digitally on September 14, 2010.
O'Donnell began his music career writing television and radio jingles as well as scoring for radio and film. O'Donnell moved to composing video game music when his company, TotalAudio, did the sound design for the 1997 title Riven. After producing the music for Myth II, Bungie contracted O'Donnell to work on their other projects, including Oni and the code-named project that would become Halo: Combat Evolved. O'Donnell ended up joining the Bungie staff only ten days before the studio was bought by Microsoft, and has been the audio director for all Bungie projects since.
O'Donnell's score to the Halo trilogy has been called iconic, and the commercial soundtrack release of the music to Halo 2 became the best-selling video game soundtrack of all time. His most recently released work is the music for Halo: Reach, released digitally on September 14, 2010.
Benedetto Marcello
Benedetto Giacomo Marcello (Italian: ; 31 July or 1 August 1686 – 24 July 1739) was an Italian composer, writer, advocate, magistrate, and teacher in Venice, Benedetto Marcello was a member of a noble family and in his compositions he is frequently referred to anonymously as Patrizio Veneto (A Noble of Venice). Although he was a music student of Antonio Lotti and Francesco Gasparini, his father wanted Benedetto to devote himself to law. Benedetto managed to combine a life in law and public service with one in music.
Schubert
Franz Peter Schubert (January 31, 1797 – November 19, 1828) was an Austrian composer. He wrote some 600 lieder, nine symphonies (including the famous "Unfinished Symphony"), liturgical music, operas, and a large body of chamber and solo piano music. He is particularly noted for his original melodic and harmonic writing.
While Schubert had a close circle of friends and associates who admired his work (including his teacher Antonio Salieri, and the prominent singer Johann Michael Vogl), wider appreciation of his music during his lifetime was limited at best. He was never able to secure adequate permanent employment, and for most of his career he relied on the support of friends and family. Interest in Schubert's work increased dramatically in the decades following his death and he is now widely considered to be one of the greatest composers in the Western tradition.
While he was clearly influenced by the Classical sonata forms of Beethoven and Mozart (his early works, among them notably the 5th Symphony, are particularly Mozartean), his formal structures and his developments tend to give the impression more of melodic development than of harmonic drama. This combination of Classical form and long-breathed Romantic melody sometimes lends them a discursive style: his 9th Symphony was described by Robert Schumann as running to "heavenly lengths". His harmonic innovations include movements in which the first section ends in the key of the subdominant rather than the dominant (as in the last movement of the Trout Quintet). Schubert's practice here was a forerunner of the common Romantic technique of relaxing, rather than raising, tension in the middle of a movement, with final resolution postponed to the very end.
While Schubert had a close circle of friends and associates who admired his work (including his teacher Antonio Salieri, and the prominent singer Johann Michael Vogl), wider appreciation of his music during his lifetime was limited at best. He was never able to secure adequate permanent employment, and for most of his career he relied on the support of friends and family. Interest in Schubert's work increased dramatically in the decades following his death and he is now widely considered to be one of the greatest composers in the Western tradition.
While he was clearly influenced by the Classical sonata forms of Beethoven and Mozart (his early works, among them notably the 5th Symphony, are particularly Mozartean), his formal structures and his developments tend to give the impression more of melodic development than of harmonic drama. This combination of Classical form and long-breathed Romantic melody sometimes lends them a discursive style: his 9th Symphony was described by Robert Schumann as running to "heavenly lengths". His harmonic innovations include movements in which the first section ends in the key of the subdominant rather than the dominant (as in the last movement of the Trout Quintet). Schubert's practice here was a forerunner of the common Romantic technique of relaxing, rather than raising, tension in the middle of a movement, with final resolution postponed to the very end.
Clifton Williams
Clifton Williams, Jr. was an American composer, pianist, French hornist, mellophonist, music theorist, conductor, and teacher. Williams was known by symphony patrons as a virtuoso French hornist with the symphony orchestras of Baton Rouge, New Orleans, Houston, Oklahoma City, Austin, and San Antonio.
Oscar Lindberg
Oskar Fredrik Lindberg was a Swedish composer, church musician, teacher and professor. In 1939 he edited the Church of Sweden's hymnbook. His 1912 Requiem was of particular importance to the history of Swedish liturgical works. At a meeting in Gagnefs missionary hall he heard a song that made a deep impression on him.
J. S. Bach
Johann Sebastian Bach (21 March 1685, O.S.31 March 1685, N.S. – 28 July 1750, N.S.) was a German composer, organist, harpsichordist, violist, and violinist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity. Although he did not introduce new forms, he enriched the prevailing German style with a robust contrapuntal technique, an unrivalled control of harmonic and motivic organisation, and the adaptation of rhythms, forms and textures from abroad, particularly from Italy and France.
Revered for their intellectual depth, technical command and artistic beauty, Bach's works include the Brandenburg Concertos, the Goldberg Variations, the Partitas, The Well-Tempered Clavier, the Mass in B minor, the St Matthew Passion, the St John Passion, the Magnificat, A Musical Offering, The Art of Fugue, the English and French Suites, the Sonatas and Partitas for solo violin, the Cello Suites, more than 200 surviving cantatas, and a similar number of organ works, including the famous Toccata and Fugue in D minor and Passacaglia and Fugue in C minor, as well as the Great Eighteen Chorale Preludes and Organ Mass.
Bach's abilities as an organist were highly respected throughout Europe during his lifetime, although he was not widely recognised as a great composer until a revival of interest and performances of his music in the first half of the 19th century. He is now generally regarded as one of the main composers of the Baroque style, and as one of the greatest composers of all time.
Revered for their intellectual depth, technical command and artistic beauty, Bach's works include the Brandenburg Concertos, the Goldberg Variations, the Partitas, The Well-Tempered Clavier, the Mass in B minor, the St Matthew Passion, the St John Passion, the Magnificat, A Musical Offering, The Art of Fugue, the English and French Suites, the Sonatas and Partitas for solo violin, the Cello Suites, more than 200 surviving cantatas, and a similar number of organ works, including the famous Toccata and Fugue in D minor and Passacaglia and Fugue in C minor, as well as the Great Eighteen Chorale Preludes and Organ Mass.
Bach's abilities as an organist were highly respected throughout Europe during his lifetime, although he was not widely recognised as a great composer until a revival of interest and performances of his music in the first half of the 19th century. He is now generally regarded as one of the main composers of the Baroque style, and as one of the greatest composers of all time.
Traditional
Nobuo Uematsu
Nobuo Uematsu (植松伸夫 Uematsu Nobuo?, born March 21, 1959) is a Japanese video game composer and musician, best known for scoring the majority of titles in the Final Fantasy series. He is regarded as one of the most famous and respected composers in the video game community. Uematsu is a self-taught musician; he began to play the piano at the age of eleven or twelve, with Elton John as his biggest influence.
Uematsu joined Square (later Square Enix) in 1985, where he met Final Fantasy creator Hironobu Sakaguchi. They have worked together on numerous titles, most notably the games in the Final Fantasy series. After nearly 20 years in the company, he left Square Enix in 2004 and founded his own company called Smile Please, as well as the music production company Dog Ear Records. He has since composed music as a freelancer for video games primarily developed by Square Enix and Sakaguchi's development studio Mistwalker.
A handful of soundtracks and arranged albums of Uematsu's game scores have been released. Pieces from his video game works have been performed in concerts worldwide, and numerous Final Fantasy concerts have also been held. He has worked with Grammy Award-winning conductor Arnie Roth on several of these concerts. In 2002, he formed a rock band with colleagues Kenichiro Fukui and Tsuyoshi Sekito called The Black Mages, in which Uematsu plays the keyboard. The band plays arranged rock versions of Uematsu's Final Fantasy compositions.
Uematsu joined Square (later Square Enix) in 1985, where he met Final Fantasy creator Hironobu Sakaguchi. They have worked together on numerous titles, most notably the games in the Final Fantasy series. After nearly 20 years in the company, he left Square Enix in 2004 and founded his own company called Smile Please, as well as the music production company Dog Ear Records. He has since composed music as a freelancer for video games primarily developed by Square Enix and Sakaguchi's development studio Mistwalker.
A handful of soundtracks and arranged albums of Uematsu's game scores have been released. Pieces from his video game works have been performed in concerts worldwide, and numerous Final Fantasy concerts have also been held. He has worked with Grammy Award-winning conductor Arnie Roth on several of these concerts. In 2002, he formed a rock band with colleagues Kenichiro Fukui and Tsuyoshi Sekito called The Black Mages, in which Uematsu plays the keyboard. The band plays arranged rock versions of Uematsu's Final Fantasy compositions.
Leroy Anderson
Leroy Anderson (/ləˈrɔɪ/ ~ le-roy, not "lee-roy"; June 29, 1908 – May 18, 1975) was an American composer of short, light concert pieces, many of which were introduced by the Boston Pops Orchestra under the direction of Arthur Fiedler. John Williams described him as "one of the great American masters of light orchestral music."
Gabriel Marie
Jean Gabriel Prosper Marie (8 January 1852 – 29 August 1928) was a French romantic composer and conductor.
Gabriel-Marie was born in Paris, France on 8 January 1852. He studied at the Conservatoire de Paris and held a prominent position in the local musical world. He died unexpectedly on 29 August 1928 in Puigcerdà, Girona, Spain.He was the father of the composer Jean Gabriel Marie.Gabriel-Marie's works include La Cinquantaine ("The Golden Wedding", 1887) for cello and piano, for octet, and in various other arrangements. He also composed many dance pieces, notably the waltz Sous les firnes ("Under the Ash Trees", 1884) and the highly original polka Frais minois ("Fresh Face"). Sérénade Badine achieved some popularity by its numerous arrangements, including those for saxophone and piano, and cello and piano, as did other chamber works and light works for orchestra.
Gabriel-Marie was born in Paris, France on 8 January 1852. He studied at the Conservatoire de Paris and held a prominent position in the local musical world. He died unexpectedly on 29 August 1928 in Puigcerdà, Girona, Spain.He was the father of the composer Jean Gabriel Marie.Gabriel-Marie's works include La Cinquantaine ("The Golden Wedding", 1887) for cello and piano, for octet, and in various other arrangements. He also composed many dance pieces, notably the waltz Sous les firnes ("Under the Ash Trees", 1884) and the highly original polka Frais minois ("Fresh Face"). Sérénade Badine achieved some popularity by its numerous arrangements, including those for saxophone and piano, and cello and piano, as did other chamber works and light works for orchestra.
John Gunn
The Scottish cellist and antiquarian John Gunn (1766-1824) is unique among British writers on music in the late eighteenth and early nineteenth century.
John Williams
John Towner Williams (born February 8, 1932) is an American composer, conductor, and pianist. In a career that spans six decades, Williams has composed many of the most famous film scores in Hollywood history, including Star Wars, Superman, Home Alone, the first three Harry Potter movies and all but two of Steven Spielberg's feature films including the Indiana Jones series, Schindler's List, E.T. the Extra-Terrestrial, Jurassic Park and Jaws. He also composed the soundtrack for the hit 1960s television series Lost in Space as well as the fanfare of the DreamWorks Pictures' logo.
Williams has composed theme music for four Olympic Games, the NBC Nightly News, the rededication of the Statue of Liberty, and numerous television series and concert pieces. He served as the principal conductor of the Boston Pops Orchestra from 1980 to 1993, and is now the orchestra's laureate conductor.
Williams is a five-time winner of the Academy Award. He has also won four Golden Globe Awards, seven BAFTA Awards and 21 Grammy Awards. With 45 Academy Award nominations, Williams is, together with composer Alfred Newman, the second most nominated person after Walt Disney. He was inducted into the Hollywood Bowl Hall of Fame in 2000, and was a recipient of the Kennedy Center Honors in 2004.
Williams has composed theme music for four Olympic Games, the NBC Nightly News, the rededication of the Statue of Liberty, and numerous television series and concert pieces. He served as the principal conductor of the Boston Pops Orchestra from 1980 to 1993, and is now the orchestra's laureate conductor.
Williams is a five-time winner of the Academy Award. He has also won four Golden Globe Awards, seven BAFTA Awards and 21 Grammy Awards. With 45 Academy Award nominations, Williams is, together with composer Alfred Newman, the second most nominated person after Walt Disney. He was inducted into the Hollywood Bowl Hall of Fame in 2000, and was a recipient of the Kennedy Center Honors in 2004.
David Popper
Popper was a prolific composer of music for his instrument, writing four concertos, a Requiem for three cellos and orchestra (1891) and a number of smaller pieces which are still played today, including the ever-popular cello solo piece Tarantella. His shorter showpieces were written to highlight the unique sound and style native to the cello extending the instrument's range to heights with pieces such as Spinnlied (Spinning Song), Elfentanz (Dance of the Elves), or the Ungarische Rhapsodie (Hungarian Rhapsody). He also wrote instructional pieces. Popper is also famous for his High School of Cello Playing (Op. 73), a book of cello études that is used almost universally by advanced cello students.
Debussy
Achille-Claude Debussy (August 22, 1862 – March 25, 1918) was a French composer. Along with Maurice Ravel, he is considered one of the most prominent figures working within the field of Impressionist music, though he himself intensely disliked the term when applied to his compositions. Debussy was not only among the most important of all French composers but also was a central figure in all European music at the turn of the twentieth century.
Debussy's music virtually defines the transition from late-Romantic music to twentieth century modernist music. In French literary circles, the style of this period was known as Symbolism, a movement that directly inspired Debussy both as a composer and as an active cultural participant.
Debussy's music virtually defines the transition from late-Romantic music to twentieth century modernist music. In French literary circles, the style of this period was known as Symbolism, a movement that directly inspired Debussy both as a composer and as an active cultural participant.
Igor Stravinsky
Igor Fyodorovich Stravinsky (17 June 1882 – 6 April 1971) was a Russian-born, naturalised French, later naturalised American composer, pianist, and conductor.
He is widely acknowledged as one of the most important and influential composers of 20th century music. He was a quintessentially cosmopolitan Russian who was named by Time magazine as one of the 100 most influential people of the century. He became a naturalised French citizen in 1934 and a naturalized US citizen in 1945. In addition to the recognition he received for his compositions, he also achieved fame as a pianist and a conductor, often at the premieres of his works.
Stravinsky's compositional career was notable for its stylistic diversity. He first achieved international fame with three ballets commissioned by the impresario Sergei Diaghilev and performed by Diaghilev's Ballets Russes (Russian Ballets): The Firebird (1910), Petrushka (1911/1947), and The Rite of Spring (1913). The Rite, whose premiere provoked a riot, transformed the way in which subsequent composers thought about rhythmic structure, and was largely responsible for Stravinsky's enduring reputation as a musical revolutionary, pushing the boundaries of musical design.
After this first Russian phase Stravinsky turned to neoclassicism in the 1920s. The works from this period tended to make use of traditional musical forms (concerto grosso, fugue, symphony), frequently concealed a vein of intense emotion beneath a surface appearance of detachment or austerity, and often paid tribute to the music of earlier masters, for example J.S. Bach and Tchaikovsky.
In the 1950s he adopted serial procedures, using the new techniques over his last twenty years. Stravinsky's compositions of this period share traits with examples of his earlier output: rhythmic energy, the construction of extended melodic ideas out of a few two- or three-note cells, and clarity of form, of instrumentation, and of utterance.
He also published a number of books throughout his career, almost always with the aid of a collaborator, sometimes uncredited. In his 1936 autobiography, Chronicles of My Life, written with the help of Walter Nouvel, Stravinsky included his well-known statement that "music is, by its very nature, essentially powerless to express anything at all." With Alexis Roland-Manuel and Pierre Souvtchinsky he wrote his 1939–40 Harvard University Charles Eliot Norton Lectures, which were delivered in French and later collected under the title Poétique musicale in 1942 (translated in 1947 as Poetics of Music). Several interviews in which the composer spoke to Robert Craft were published as Conversations with Igor Stravinsky. They collaborated on five further volumes over the following decade.
He is widely acknowledged as one of the most important and influential composers of 20th century music. He was a quintessentially cosmopolitan Russian who was named by Time magazine as one of the 100 most influential people of the century. He became a naturalised French citizen in 1934 and a naturalized US citizen in 1945. In addition to the recognition he received for his compositions, he also achieved fame as a pianist and a conductor, often at the premieres of his works.
Stravinsky's compositional career was notable for its stylistic diversity. He first achieved international fame with three ballets commissioned by the impresario Sergei Diaghilev and performed by Diaghilev's Ballets Russes (Russian Ballets): The Firebird (1910), Petrushka (1911/1947), and The Rite of Spring (1913). The Rite, whose premiere provoked a riot, transformed the way in which subsequent composers thought about rhythmic structure, and was largely responsible for Stravinsky's enduring reputation as a musical revolutionary, pushing the boundaries of musical design.
After this first Russian phase Stravinsky turned to neoclassicism in the 1920s. The works from this period tended to make use of traditional musical forms (concerto grosso, fugue, symphony), frequently concealed a vein of intense emotion beneath a surface appearance of detachment or austerity, and often paid tribute to the music of earlier masters, for example J.S. Bach and Tchaikovsky.
In the 1950s he adopted serial procedures, using the new techniques over his last twenty years. Stravinsky's compositions of this period share traits with examples of his earlier output: rhythmic energy, the construction of extended melodic ideas out of a few two- or three-note cells, and clarity of form, of instrumentation, and of utterance.
He also published a number of books throughout his career, almost always with the aid of a collaborator, sometimes uncredited. In his 1936 autobiography, Chronicles of My Life, written with the help of Walter Nouvel, Stravinsky included his well-known statement that "music is, by its very nature, essentially powerless to express anything at all." With Alexis Roland-Manuel and Pierre Souvtchinsky he wrote his 1939–40 Harvard University Charles Eliot Norton Lectures, which were delivered in French and later collected under the title Poétique musicale in 1942 (translated in 1947 as Poetics of Music). Several interviews in which the composer spoke to Robert Craft were published as Conversations with Igor Stravinsky. They collaborated on five further volumes over the following decade.
Capua Educardo
Di Capua was born the son of a musician. He traveled to many European countries with his father. In 1897 di Capua purchased a collection of 23 melodies from Alfredo Mazzucchi, an unknown composer.
Francesco Manfredini
Francesco Onofrio Manfredini (22 June 1684 – 6 October 1762) was an Italian Baroque composer, violinist, and church musician.
He was born at Pistoia to a trombonist. He studied violin with Giuseppe Torelli in Bologna, then a part of the Papal States, a leading figure in the development of the concerto grosso. He also took instruction in composition from Giacomo Antonio Perti, maestro di cappella of the Basilica of San Petronio from 1696 when the orchestra was temporarily disbanded.
Although he composed oratorios, only his secular works remain in the repertoire. A contemporary of Johann Sebastian Bach and Antonio Vivaldi, his extant work shows the influence of the latter.
He was born at Pistoia to a trombonist. He studied violin with Giuseppe Torelli in Bologna, then a part of the Papal States, a leading figure in the development of the concerto grosso. He also took instruction in composition from Giacomo Antonio Perti, maestro di cappella of the Basilica of San Petronio from 1696 when the orchestra was temporarily disbanded.
Although he composed oratorios, only his secular works remain in the repertoire. A contemporary of Johann Sebastian Bach and Antonio Vivaldi, his extant work shows the influence of the latter.
Azumanga Daioh
Azumanga Daioh (Japanese: あずまんが大王, Hepburn: Azumanga Daiō, lit. "Azumanga the Great (King)") is a Japanese yonkoma comedy manga series written and ...
Herbie Hancock
Herbert Jeffrey "Herbie" Hancock (born April 12, 1940) is an American pianist and composer. He is regarded not only as one of the greatest living jazz musicians, but also as one of the most influential jazz musicians of the 20th century. His music embraces elements of funk and soul while adopting freer stylistic elements from jazz. In his jazz improvisation, he possesses a unique creative blend of jazz, blues, and modern classical music, with harmonic stylings much like the styles of Claude Debussy and Maurice Ravel.
As part of Miles Davis's "second great quintet," Hancock helped redefine the role of a jazz rhythm section, and was one of the primary architects of the "post-bop" sound. Later, he was one of the first jazz musicians to embrace synthesizers and funk. Hancock's music is often melodic and accessible; he has had many songs "cross over" and achieved success among pop audiences.
Herbie's best-known solo works include "Cantaloupe Island," "Watermelon Man" (later performed by dozens of musicians, including bandleader Mongo Santamaria), "Maiden Voyage," "Chameleon," and the singles " I Thought It Was You" and "Rockit." His 2007 tribute album "River: The Joni Letters" won the 2007 Grammy Award for Album of the Year, only the second jazz album ever to win the award after 1965's Getz/Gilberto.
He is an adherent of the Nichiren school of Mahayana Buddhism.
As part of Miles Davis's "second great quintet," Hancock helped redefine the role of a jazz rhythm section, and was one of the primary architects of the "post-bop" sound. Later, he was one of the first jazz musicians to embrace synthesizers and funk. Hancock's music is often melodic and accessible; he has had many songs "cross over" and achieved success among pop audiences.
Herbie's best-known solo works include "Cantaloupe Island," "Watermelon Man" (later performed by dozens of musicians, including bandleader Mongo Santamaria), "Maiden Voyage," "Chameleon," and the singles " I Thought It Was You" and "Rockit." His 2007 tribute album "River: The Joni Letters" won the 2007 Grammy Award for Album of the Year, only the second jazz album ever to win the award after 1965's Getz/Gilberto.
He is an adherent of the Nichiren school of Mahayana Buddhism.
Lionel Richie
Lionel Brockman Richie, Jr. (born June 20, 1949) is an Academy Award and Grammy award-winning American singer, songwriter, record producer, and occasional actor, who has sold more than 100 million records.
He released his self-titled debut in 1982. The album hit #3 on the music charts and sold over 4 million copies. His 1983 follow up album, Can't Slow Down, sold over twice as many copies and won the Grammy Award for the Album of the Year in 1984. His third album, Dancing on the Ceiling, which was released in 1986, spawned such hits as "Say You, Say Me", "Dancing on the Ceiling," and "Se La", but it also signified the end of his large commercial success.
In 2002, Richie's song "Running with the Night" was featured on the Rockstar North video game Grand Theft Auto: Vice City though the song was removed from later versions of the game. In 2004, he appeared on Canadian Idol as his songs were featured during a Canadian Idol week.
In November 2005, Lionel Richie performed with Kenny Rogers on a CMT Crossroads special. The show gave an informative insight into their friendship both in and out of the music world. Richie was also the headliner at a 2000 Fourth of July tribute concert with Fantasia Barrino at the Philadelphia Museum of Art. Richie released his eighth studio album entitled " Coming Home" on September 12, 2006. The first single of the album was "I Call It Love" and was premiered in July 2006, becoming his biggest hit in the U.S. in ten years. The album was an incredible success for Richie in the United States, peaking at #6. His adopted daughter Nicole Richie stars in the music video for this track.
On May 2, 2008, Lionel Richie was the 21st recipient of the George and Ira Gershwin Lifetime Achievement Award at UCLA's annual Spring Sing. In accepting the award, Richie said: "Forget about surviving 30 some odd years in the music business, Lionel Richie survived 27 years of Nicole Richie".
He released his self-titled debut in 1982. The album hit #3 on the music charts and sold over 4 million copies. His 1983 follow up album, Can't Slow Down, sold over twice as many copies and won the Grammy Award for the Album of the Year in 1984. His third album, Dancing on the Ceiling, which was released in 1986, spawned such hits as "Say You, Say Me", "Dancing on the Ceiling," and "Se La", but it also signified the end of his large commercial success.
In 2002, Richie's song "Running with the Night" was featured on the Rockstar North video game Grand Theft Auto: Vice City though the song was removed from later versions of the game. In 2004, he appeared on Canadian Idol as his songs were featured during a Canadian Idol week.
In November 2005, Lionel Richie performed with Kenny Rogers on a CMT Crossroads special. The show gave an informative insight into their friendship both in and out of the music world. Richie was also the headliner at a 2000 Fourth of July tribute concert with Fantasia Barrino at the Philadelphia Museum of Art. Richie released his eighth studio album entitled " Coming Home" on September 12, 2006. The first single of the album was "I Call It Love" and was premiered in July 2006, becoming his biggest hit in the U.S. in ten years. The album was an incredible success for Richie in the United States, peaking at #6. His adopted daughter Nicole Richie stars in the music video for this track.
On May 2, 2008, Lionel Richie was the 21st recipient of the George and Ira Gershwin Lifetime Achievement Award at UCLA's annual Spring Sing. In accepting the award, Richie said: "Forget about surviving 30 some odd years in the music business, Lionel Richie survived 27 years of Nicole Richie".
Ruggero Leoncavallo
Ruggero Leoncavallo is an opera and operetta composer of the Italian modern era verismo.
Benjamin Britten
Edward Benjamin Britten, Baron Britten of Aldeburgh, OM CH (22 November 1913 – 4 December 1976) was an English composer, conductor, and pianist. Showing prodigious talent from an early age – he composed his Quatre Chansons françaises for soprano and orchestra at the age of fourteen – he first came to public attention with the a cappella choral work A Boy Was Born. With the premiere of his opera Peter Grimes in 1945 he leapt to international fame, and for the next fifteen years he devoted much of his compositional attention to writing operas, several of which now appear regularly on international stages. Britten's interests as a composer were wide-ranging; he produced important music in such varied genres as orchestral, choral, solo vocal (much of it written for the tenor Peter Pears), chamber and instrumental, as well as film music. He also took a great interest in writing music for children and amateur performers, and was considered a fine pianist and conductor.
Sean Mortensen
I'm an aspiring composer, well-to-do pianist and percussionist. I'm even bilingual in Spanish, Italian and Portuguese (I'm almost a Jack of All Trades).
Guiseppe Verdi
Giuseppe Fortunino Francesco Verdi (Italian pronunciation: ; 10 October 1813 – 27 January 1901) was an Italian Romantic composer, mainly of opera. He was one of the most influential composers of the 19th century. His works are frequently performed in opera houses throughout the world and, transcending the boundaries of the genre, some of his themes have long since taken root in popular culture - such as "La donna è mobile" from Rigoletto, "Va, pensiero" (The Chorus of the Hebrew Slaves) from Nabucco, "Libiamo ne' lieti calici" (The Drinking Song) from La traviata and the "Grand March" from Aida. Although his work was sometimes criticized for using a generally diatonic rather than a chromatic musical idiom and having a tendency toward melodrama, Verdi’s masterworks dominate the standard repertoire a century and a half after their composition.
Verdi's predecessors who influenced his music were Rossini, Bellini, Giacomo Meyerbeer and, most notably, Gaetano Donizetti and Saverio Mercadante. With the exception of Otello and Aida, he was free of Wagner's influence. Although respectful of Gounod, Verdi was careful not to learn anything from the Frenchman whom many of Verdi's contemporaries regarded as the greatest living composer. Some strains in Aida suggest at least a superficial familiarity with the works of the Russian composer Mikhail Glinka, whom Franz Liszt, after his tour of the Russian Empire as a pianist, popularized in Western Europe.
Throughout his career, Verdi rarely utilised the high C in his tenor arias, citing the fact that the opportunity to sing that particular note in front of an audience distracts the performer before and after the note appears. However, he did provide high Cs to Duprez in Jérusalem and to Tamberlick in the original version of La forza del destino. The high C often heard in the aria Di quella pira does not appear in Verdi's score.
Verdi's predecessors who influenced his music were Rossini, Bellini, Giacomo Meyerbeer and, most notably, Gaetano Donizetti and Saverio Mercadante. With the exception of Otello and Aida, he was free of Wagner's influence. Although respectful of Gounod, Verdi was careful not to learn anything from the Frenchman whom many of Verdi's contemporaries regarded as the greatest living composer. Some strains in Aida suggest at least a superficial familiarity with the works of the Russian composer Mikhail Glinka, whom Franz Liszt, after his tour of the Russian Empire as a pianist, popularized in Western Europe.
Throughout his career, Verdi rarely utilised the high C in his tenor arias, citing the fact that the opportunity to sing that particular note in front of an audience distracts the performer before and after the note appears. However, he did provide high Cs to Duprez in Jérusalem and to Tamberlick in the original version of La forza del destino. The high C often heard in the aria Di quella pira does not appear in Verdi's score.
Johann Pachelbel
Johann Pachelbel (pronounced /ˈpækəlbɛl/, /ˈpɑːkəlbɛl/, or /ˈpɑːkəbɛl/; baptized September 1, 1653 – buried March 9, 1706) was a German Baroque composer, organist and teacher, who brought the south German organ tradition to its peak. He composed a large body of sacred and secular music, and his contributions to the development of the chorale prelude and fugue have earned him a place among the most important composers of the middle Baroque era.
Pachelbel's work enjoyed enormous popularity during his lifetime; he had many pupils and his music became a model for the composers of south and central Germany. Today, Pachelbel is best known for the Canon in D, the only canon he wrote - although a true canon at the unison in three parts, it is often regarded more as a passacaglia, and it is in this mode that it has been arranged and transcribed for many different media. In addition to the canon, his most well-known works include the Chaconne in F minor, the Toccata in E minor for organ, and the Hexachordum Apollinis, a set of keyboard variations.
Pachelbel's music was influenced by southern German composers, such as Johann Jakob Froberger and Johann Kaspar Kerll, Italians such as Girolamo Frescobaldi and Alessandro Poglietti, French composers, and the composers of the Nuremberg tradition. Pachelbel preferred a lucid, uncomplicated contrapuntal style that emphasized melodic and harmonic clarity. His music is less virtuosic and less adventurous harmonically than that of Dieterich Buxtehude, although, like Buxtehude, Pachelbel experimented with different ensembles and instrumental combinations in his chamber music and, most importantly, his vocal music, much of which features exceptionally rich instrumentation. Pachelbel explored many variation forms and associated techniques, which manifest themselves in various diverse pieces, from sacred concertos to harpsichord suites.
Pachelbel's work enjoyed enormous popularity during his lifetime; he had many pupils and his music became a model for the composers of south and central Germany. Today, Pachelbel is best known for the Canon in D, the only canon he wrote - although a true canon at the unison in three parts, it is often regarded more as a passacaglia, and it is in this mode that it has been arranged and transcribed for many different media. In addition to the canon, his most well-known works include the Chaconne in F minor, the Toccata in E minor for organ, and the Hexachordum Apollinis, a set of keyboard variations.
Pachelbel's music was influenced by southern German composers, such as Johann Jakob Froberger and Johann Kaspar Kerll, Italians such as Girolamo Frescobaldi and Alessandro Poglietti, French composers, and the composers of the Nuremberg tradition. Pachelbel preferred a lucid, uncomplicated contrapuntal style that emphasized melodic and harmonic clarity. His music is less virtuosic and less adventurous harmonically than that of Dieterich Buxtehude, although, like Buxtehude, Pachelbel experimented with different ensembles and instrumental combinations in his chamber music and, most importantly, his vocal music, much of which features exceptionally rich instrumentation. Pachelbel explored many variation forms and associated techniques, which manifest themselves in various diverse pieces, from sacred concertos to harpsichord suites.
Angela Aki
Kiyomi Angela Aki (安藝 聖世美 アンジェラ, Aki Kiyomi Anjera, born September 15, 1977) known professionally as Angela Aki (アンジェラ・アキ, Anjera Aki), is a pop singer, songwriter and pianist.Aki was born in the small town of Itano in Tokushima Prefecture, in the mostly rural island of Shikoku. Her mother is Italian American and her father is Japanese.
Aki began to take piano lessons when she was three years old and lived in Tokushima through sixth grade and spent her junior high school days in Okayama. She has admitted that growing up in rural Japan proved very difficult, as she was bullied and she turned to the piano as an escape from the isolation she felt. She grew up listening to a mix of enka, The Carpenters and The Bee Gees.
Aki began to take piano lessons when she was three years old and lived in Tokushima through sixth grade and spent her junior high school days in Okayama. She has admitted that growing up in rural Japan proved very difficult, as she was bullied and she turned to the piano as an escape from the isolation she felt. She grew up listening to a mix of enka, The Carpenters and The Bee Gees.
César Franck
César-Auguste-Jean-Guillaume-Hubert Franck was a composer, pianist, organist, and music teacher who worked in Paris during his adult life. He was born at Liège, in what is now Belgium. He gave his first concerts there in 1834 and studied privately in Paris from 1835, where his teachers included Anton Reicha.
Muse
Muse are a British rock band formed in Teignmouth, Devon, United Kingdom in 1994 under the alias of Rocket Baby Dolls. The band comprises Matthew Bellamy (vocals, guitar and piano), Christopher Wolstenholme (bass guitar and backing vocals) and Dominic Howard (drums and percussion). Muse's style can be considered as a mixture of many musical genres, most notably alternative rock, classical music and electronica. Muse are known best for their energetic and visually dazzling live performances and on June 16th & 17th, 2007 became the first band to sell out the newly built Wembley Stadium in London. Muse have released four studio albums with their first, Showbiz, released in 1999, followed by Origin of Symmetry in 2001 and Absolution in 2003. The most recent, Black Holes & Revelations (2006), was also the most critically acclaimed, garnering the band a Mercury Prize nomination and a third place finish in the NME Albums of the Year list for 2006. Muse have won various awards throughout their career including 5 MTV Europe Music Awards, 5 Q Awards, 4 NME Awards and 2 Brit awards.
José Becerril Alatorre
José Becerril Alatorre Composer Piano Player Classical/Contemporary Vocal Country MEXICO
Astor Piazzolla
Ástor Pantaleón Piazzolla (March 11, 1921 – July 4, 1992) was an Argentine tango composer and bandoneón player. His oeuvre revolutionized the traditional tango into a new style termed nuevo tango, incorporating elements from jazz and classical music. An excellent bandoneonist, he regularly performed his own compositions with different ensembles.
Piazzolla's nuevo tango was distinct from the traditional tango in its incorporation of elements of jazz, its use of extended harmonies and dissonance, its use of counterpoint, and its ventures into extended compositional forms. As Argentine psychoanalyst Carlos Kuri has pointed out, Piazzolla's fusion of tango with this wide range of other recognizable Western musical elements was so successful that it produced a new individual style transcending these influences. It is precisely this success, and individuality, that makes it hard to pin down where particular influences reside in his compositions, but some aspects are clear. The use of the passacaglia technique of a circulating bass line and harmonic sequence, invented and much used in 17th and 18th century baroque music but also central to the idea of jazz "changes", predominates in most of Piazzolla's mature compositions. Another clear reference to the baroque is the often complex and virtuosic counterpoint that sometimes follows strict fugal behavior but more often simply allows each performer in the group to assert his voice. A further technique that emphasises this sense of democracy and freedom among the musicians is improvisation that is borrowed from jazz in concept, but in practice involves a different vocabulary of scales and rhythms that stay within the parameters of the established tango sound-world. Pablo Ziegler has been particularly responsible for developing this aspect of the style both within Piazzolla's groups and since the composer's death.
Piazzolla's nuevo tango was distinct from the traditional tango in its incorporation of elements of jazz, its use of extended harmonies and dissonance, its use of counterpoint, and its ventures into extended compositional forms. As Argentine psychoanalyst Carlos Kuri has pointed out, Piazzolla's fusion of tango with this wide range of other recognizable Western musical elements was so successful that it produced a new individual style transcending these influences. It is precisely this success, and individuality, that makes it hard to pin down where particular influences reside in his compositions, but some aspects are clear. The use of the passacaglia technique of a circulating bass line and harmonic sequence, invented and much used in 17th and 18th century baroque music but also central to the idea of jazz "changes", predominates in most of Piazzolla's mature compositions. Another clear reference to the baroque is the often complex and virtuosic counterpoint that sometimes follows strict fugal behavior but more often simply allows each performer in the group to assert his voice. A further technique that emphasises this sense of democracy and freedom among the musicians is improvisation that is borrowed from jazz in concept, but in practice involves a different vocabulary of scales and rhythms that stay within the parameters of the established tango sound-world. Pablo Ziegler has been particularly responsible for developing this aspect of the style both within Piazzolla's groups and since the composer's death.
Javier Fajardo Chaviez
Javier Fajardo Chaviez Colombian composer of mostly choral works that have been performed in the Americas; he is also active as a conductor.